One Day in September: Contrasting Israeli and Palestinian Stories

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Introduction

One Day in September is a 1999 movie directed and produced by Kevin Macdonald, describing the assassination of eleven Israeli sportspeople at the 1972 Summer Olympics in Munich, Germany, on September 5, 1972. On March 26, 2000, the screenplay won the Academy Award for Best Documentary Feature at the 72nd Academy Awards. The film contrasts Israeli and Palestinian stories, emphasizing the presence of historical facts and an emotional component of sympathy.

Main body

Considering the juxtaposition of Palestinian and Israeli stories, it can be stated that both groups are depicted as opposing forces. Palestinians and Israelis regard each other as historical enemies since the Palestinians are convinced that the Israelis stole their land and started terror against the Palestinian people. What concerns the usage of the stylistic device, the presence of personification, repetition, and hyperbole can be emphasized. Referring to the role and influence of TV, it is possible to state that the media created spectacular success for the consequences of the attack. It happened due to the fact that people around the world first learned about the existence of the Palestinian people and their problems. Creating tension, which is related to emotional strain, the film depicts a documentary and sad story in-depth, allowing the viewer to feel the full horror of the tragedy of a terrorist attack. In terms of ethos, logos, and pathos, it can be stated that the film makes fair, logical claims, adding a strong emotional component due to the consequences of the tragedy, ensuring the presence of facts.

Summary

To summarize, both groups of Palestinians and Israeli are illustrated as opposing forces in the movie. The involvement of personification, repetition, and hyperbole can be highlighted when referring to the stylistic devices used. In terms of the role and influence of television, it is possible to mention the fact that media aided in the huge success of the attacks repercussions. In aspects of ethos, logos, and pathos, the film makes reasonable, logical claims while incorporating a strong emotional element.

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